Three Poems by S. Su’eddie Vershima Agema

Memory and the Call of Waters is a collection of poems that interrogates personal and collective memory, juxtaposed with current realities woven into diverse facets, from love, family, culture, and politics, to depression, survival, hope, and redemption. Written in mixed styles, it is an unpretentious collection.
The poems excerpted here offer a glimpse into the emotional and thematic depth of the collection and will linger with the reader beyond the final line.
Ibadan
The strokes on your children's faces are washed
By the flood of folks who continually call you mother
The remains of tradition are left in tongues that defy
Cosmopolitan hugs of visitors who come in from varied lands
You accept their hugs and lay mats for them to become your children
Despite the offspring of your womb who hold on to the irony
Of a love that welcomes and yet alienates.
Stomachs dance to sweaty black mountains with ewedu
Eyes feast on riveting rusty roofs, legs stretching to Jericho for books
Pilgrims trace the footprints of Mbari, the Black Orpheus and transitions
Carved in history as other steps find life in new genial sands.
I have tasted your goodness, and I am lost in your ancestral modernity
Looking from Broking House heights and Cocoa's cliffs, Dugbe's heart is
shown in Mokola's madness
a million souls strip off sanity for shame as they forage in nature's suit.
Ibadan, your cemeteries swell, and Eko lures a trickling count
Yet, your stomach bloats with endless lines of ants who march
From Challenge to Samonda and beyond
Accidents await as automobiles kiss each other or eat raw flesh
Like your many other contraptions
You hold out patiently, Ibadan, gazing at your lands from Bower's top
For you know every water shall dry and memory will revere you.
home
home is where the heart... hiss
home is living memory
a small pile of shit
waiting
to
hug your eyes
tickle your nose
(and) kiss your feet
it is the sight of plain bums
squatting at weird angles
saluting flies who kiss the holes
dropping prospective maggots
as more legs come to squat
and spread nyamanyama
where our pride should be
but beyond stiff one-sided narratives
knock
the door opens and home becomes a tease
where we kerewa passions singing in frenzied harmony
a radio blares showkey and others galala away their frustrations
later, a kaakaki blends to drums and we swange our hips
home turns to bars where barks without bites resonate
as smiles cover our hearts miles in sweats, we adjust slowly
and our suffering becomes a lesser burden tuning to fela's beats
home is where our hearts...ease
Memory’s hold on Mother’s Day
(for Chris Ayede-Agema, Marie Aduro, Dora Oyana, Eugenia Abu & Agatha Agema)
The fires of life are lit from wombs
that warm nine months to bring wonders
whose brightness deny smokes.
Theirs are tales,
ours, all narratives—
these tales fill our life
footnotes of strife that mount memories,
foundations of our strength, to fight, win, lose and live.
II
An early chapter appears on my mind's sheets:
Me, shivering with upturned eyes
my tale spiralling to a close
even as I called your name to deliver me from fever
Mummy!
What other name burns in a child's heart
in times of strain?
But you were far away,
seeking means to find our bread of sustenance.
You arrived home at midnight, after a seventeen-hour shift,
wearing tiredness like a coat.
Your eyes met my shivering frame.
Motherly instinct undressed your exhaustion,
as you picked me up
your feet became wings speeding our run
to the nearest hospital miles away.
We had silence for our companion
and when it became too comfortable
a sob from you or some more clattering from me
we found the home of healing after an eternity on our feet;
me on your back like a rider on a donkey.
By dawn, I was well enough to smile my way to another day,
you simply took your bath and found the road to work again.
III
The chapters roll and quickly, I find myself
years away: our tale has made me a wandering man
seeking bread for my mouth
and the boy who took a ride on your back yesterday
walks the streets today to seek remnants of wealth
that hides in the country's yesterday.
Your voice is a whisper that sneaks on the other side,
a laugh only you can conjure appears in my mind
I try to translate it to words
but you cut me short:
Hello son.. I cant talk much... the boss is watching
and I have hours to clock before I close...
It is Sunday and your increasing grey is no excuse
to decrease your Manor hours, seeking
the bread you have placed on our tables
through the several pages of our tales.
I nearly charge at Napoleon who lets you work
blind to the bend time has brought to your waist...
The piper dictates, you answer my unsaid charge.
I swallow poverty's impotence
the line clicks off as work drags your love away
leaving me with a memory of warmth no distance can hide.
IV Epilogue
Aôndo, if you live above the clouds as you do in 0ur hearts
best author writing our tales
please, rid her of every torment
Send memory to help give her more pleasurable moments...
Let the spirit of every fire live on
let the smokes be dispersed...
Life is a narrative, and you, Mother, remain the heart of this tale
a fire that burns bright in all our hearts.
Su’ur Su’eddie Vershima Agema is a multiple-award-winning writer, cultural activist, and development consultant. He is the author of three poetry collections, including Home Equals Holes: Tale of an Exile (Winner, Association of Nigerian Authors Prize for Poetry 2014; Nominee, Soyinka Prize for African Literature 2018; Bring our casket home: Tales one shouldn’t Tell (Nominee, ANA Prize for Poetry 2013); a short story collection, The Bottom of another Tale (Shortlisted for the Association of Nigerian Authors’ Prize for Prose 2014 and Abubakar Gimba Prize for Short Stories 2015 and a children’s book, Once Upon a Village Tale (Shortlist, ANA Prize for Children’s Literature 2018). His story, ‘Washing the Earth‘ won the Mandela Day Short Story Prize 2016, while his poem, ‘Tales one shouldn’t tell often‘, was shortlisted for the Saraba/PEN Nigeria Poetry Prize 2013. His ‘The Three Sides of Confinement‘ was shortlisted for the Mandela Day Poetry Prize 2016.
Su’eddie was previously the Black History Month/Project Curator and co-founder/president, African Writers, at the University of Sussex, where he earned an MA with distinction in International Education and Development as a Chevening Scholar. He is an alumni of the Benue State University, Makurdi and a 2022 David C. Pollock scholar of the Families in Global Transition. Su’eddie heads SEVHAGE Publishing and SEVHAGE Literary and Development Initiative, while being the convenor of the Benue Book and Arts [International] Festival. He is a member of several literary groups including Sussex Writes, the Association of Nigerian Authors, Abuja Literary Society, the Abuja Writers Forum and the Sankofa Initiative (Nigeria).
Su’eddie blogs at http://sueddie.wordpress.com and http://sevhagereviews.wordpress.com. @sueddieagema on Twitter. He lives in a couple of places with his wife, daughter, and members of their clan.

